Curation
Relationships with artists, galleries, collectors, and institutions inform what the fund buys—and how it gains access.
Epoch One collects culturally significant onchain art, combining curation, research, and access through EXPAAM.
Request materials ↗Epoch One seeks to acquire works that may define digital culture before wider market recognition.
Relationships with artists, galleries, collectors, and institutions inform what the fund buys—and how it gains access.
Market depth, transaction history, and holder concentration inform valuation, position sizing, and risk management.
Primary allocations and discreet secondary acquisitions are reviewed through an investment committee.
The thesis is that digital works can carry lasting cultural value: scarcity, identity, provenance, and the communities that form around them.
EXPAAM sees a market moving beyond its early speculative phase. Its focus is on works with cultural significance, scarcity, and established communities following a period of excess and correction.
Custody, valuation tools, marketplaces, and NFT-backed credit have developed alongside the art. These changes can make professional participation more practical; they do not remove valuation uncertainty or market risk.
The fund seeks to combine access to artists and collectors with disciplined selection, rather than treating all digital art as interchangeable exposure.
Art, credit, and liquidity within a single strategy.
Rare works and established collections, selected with attention to liquidity, valuation, and position size.
Scarce, culturally significant works sourced through relationships with artists, galleries, and institutions.
NFT-backed lending seeks to generate ETH income, with yield directed toward emerging artists. Collateral does not eliminate credit, valuation, or liquidity risk.
Liquid reserves support transactions, risk management, and time-sensitive acquisitions. ETH remains exposed to market volatility.
Established, rare collections form the intended portfolio core. Curation and quantitative research inform sizing and cycle discipline.
Scarce works are selected for long-term appreciation potential. Artist, gallery, and institutional relationships support access to primary and secondary opportunities.
Lending seeks current ETH income, while acquisitions of emerging work add a discovery component. Both require specialist underwriting.
Reserves support gas, settlement and venue fees, rebalancing, risk management, and time-sensitive acquisitions without relying solely on art sales.
Approximate allocations, not fixed promises. Portfolio roles describe intentions, not guaranteed outcomes.
Examples presented on EXPAAM’s page—not a statement of current fund holdings.
NFT returns to borrower.
Loan principal returns to lender.
Collateral may transfer to lender under the loan terms.
EXPAAM describes participation in overcollateralised markets such as Gondi. Acquiring collateral after default may be part of the strategy, but its value and resale liquidity are uncertain. Overcollateralisation does not guarantee recovery or prevent losses.
EXPAAM states that investments are denominated in ETH. Results therefore reflect both the selected works and exposure to the underlying asset. A gain measured in ETH need not be a gain measured in dollars, and vice versa.
The source does not explain a separate staking mechanism; no staking yield is assumed here.
A proprietary digital-art database supports a fair-value framework. Market depth, transaction history, and holder concentration complement curatorial judgment and inform sizing and risk management.
EXPAAM describes an invitation-only collector ecosystem connecting investors with artists, curators, and institutions. The intended benefits include early opportunities, information sharing, and preferential allocations alongside the financial investment.
CIO
Head of Curation
Head of Research
Tad Smith Advisor
Ian Rogers Advisor
Jack Butcher Creative Advisor
Final allocation decisions bring together Lyndsey Lucente, Roger Dickerman, Raoul Pal, Pierre Henry (EXPAAM CCO), John Pridjian (EXPAAM Co-Founder), and Paulo Baia (Head of Manager Selection).
Eligible families, institutions, and professional allocators seeking digital-art exposure alongside traditional investments.
The approach is long-duration and high-conviction. Investors should be comfortable with concentrated outcomes, uncertain valuations, and illiquidity—not depend on ready access to their capital.
EXPAAM describes the offering as exclusively for accredited investors, with requirements varying by jurisdiction. Its U.S. reference is Rule 501 of Regulation D. Eligibility and suitability must be confirmed directly with the firm.
Hear the fund’s explanation directly from EXPAAM.
Watch the Epoch One walkthrough ↗The official dataroom is described as under construction. Request the current deck and offering documents from investor relations.
Request the full deck ↗Request the fund materials, discuss suitability, and confirm current availability directly with the team.
The official form asks for contact details, country, investor type, and your enquiry. Information is submitted directly to EXPAAM, not collected by this preview.
*As stated on EXPAAM’s fund page. Current terms, availability, and eligibility must be confirmed with EXPAAM. This preview does not accept subscriptions.